Analysis Of Kate Chopin s The Storm - 915 Words

Joe Brennan Professor De Angelis ENG-102 September 30, 2015 Analysis of Kate Chopin’s â€Å"The Storm† â€Å"The Storm† by Kate Chopin is a story of passion and desire where morality has no home when it comes to love, sex, and marriage. â€Å"The Storm† as the title implies, tells a story about Calixta a married woman who has an affair with Alcee, a former beau who is also married. As the storm approaches so does Alcee riding upon his horse and he asks â€Å"May I come in and wait on your gallery till the storm is over, Calixta?† (Chopin , pg 121). She allows him to stay and wait the storm out, but as it rains even harder he enters the house itself. With a clash of lighting Calixta jumps back from the window and into the arms of Alcee. From that point on a torrent rages outside the house as well as inside as they cannot any longer hold back the desire for each other. As their passion subsides so does the passing storm and life returns to normal. Chopin shows that a woman can love someone and be married to them yet have passion for another. Calixta is a sexually liberated woman in a time in which women were expected to suppress their desires, but she gives in to her desires without reservation because she is able to compartmentalize her feelings for both men regardless of her marital status. In Chopin’s story Calixta clearly loves her husband as she fears for him and her son during the storm and hopes they stayed at Friedheimer’s store. Though when her passion takes over her thoughtsShow MoreRelatedAnalysis Of Kate Chopin s The Storm 1842 Words   |  8 PagesMagen Ware Phyl Charnes English 28, March 2014 Betrayal My research paper is on The Storm, by Kate Chopin. This story is about two married couples having an affair during a fierce storm while their partners are elsewhere. Alcee is a high class, landowner and liked Calixta who was lower class. They were in love but could not let anyone know because it would be a disgrace. Five years later, they were both separately married and did not talk often. Calixta and Bobinot are married and they haveRead MoreAnalysis Of Kate Chopin s The Storm 1161 Words   |  5 Pageswhat would lead them to love and their happy ever after. Despite that, they always didn’t really love who they married, but they stood by because it was frowned upon for women to break the commitment of marriage, during this time period. In Kate Chopin’s, â€Å"The Storm† you can see that Calixta is unhappy in her married life, and it leads her to break away from the regular rules of a women in that time period. Similarly, in â€Å"Cinderella† by Anne Sexton, Cinderella does not seem happy in her marriage withRead MoreAn Analysis Of Kate Chopin s The Awakening And The Storm 1115 Words   |  5 Pages The late 1800’s was a cruel and unjust period in history for women. Around this time, women sought out to find equality and began the feminist movement. However, religious and social traditions still held strong, thus allowing the continuation of suppression of women’s rights, such as marriage and freedom. While many saw women as property rather than people, women were gathering a voice and eventually prompted to make a stand for their rights. Two pieces of timeless literature that express thisRead MoreThe Storm By Kate Chopin Essay1508 Words   |  7 Pages Kate Chopin was an American author who wrote the short story â€Å"The Storm†. It takes place somewhere down in Louisiana at a general store and at the house of Calixta, Bobinot who is the wife of Calixta, and their son Bibi. The other character in the story is the friend of Calixta, Alcee Laballiere. The story begins with Bobinot and Bibi in the general store to buy a can of shrimp; meanwhile, at home, Ca lixta is at home doing chores when a storm develops, which makes her worry about Bobinot and BibiRead MoreAn Examination Of How Kate Chopin s Work1298 Words   |  6 PagesENGL 1102 – Comp/Lit Essay 2 (Mulry) Sellers, James R – 920022413 Due Date: April 20, 2015 An Examination of How Kate Chopin’s Works Taken Together Contribute to our Understanding of Her Time and the Place of Women in Society Looking at themes present in his short stories and novels, Kate Chopin presents examples of female strength and an assertive rebellion to the social norms during the late 1800s. By seeking to transparently and boldly portray the risquà © behavior of her lead characters, whichRead MoreSt. Louis And New Orleans1606 Words   |  7 PagesKate Chopin was born Katherine O’Flaherty on February 8, 1851, in St. Louis, Missouri, into a socially prominent family with roots in the French past of both St. Louis and New Orleans. Her father, Thomas O’Flaherty, an immigrant from Ireland, had lived in New York and Illinois before settling in St. Louis, where he prospered as the owner of a commission house. In 1839, he married into a well-known Creole family, members of the city’s social elite, but his wife died in childbirth only a year laterRead MoreThe Story of an Hour† by Kate Chopin Essay1528 Words   |  7 Pagesby Kate Chopin â€Å"The Story of an Hour† by Kate Chopin is very intriguing, not only because of the emotional change Louise Mallard goes through the hour after her husband’s tragic death but also the way Chopin uses irony in the story. During this analysis of â€Å"The Story of an Hour† we will discuss the summary, plot, setting, tone, theme, point of view, emotions of Louise Mallard and other characters involved in the story. Chopin’s story uses the feelings of a married woman in the late 1890’s andRead MoreThe Story Of An Hour By Kate Chopin973 Words   |  4 Pages Have you ever read a story about a woman who is ecstatic to hear of her husband’s death? The Story of an Hour is a short story in which Kate Chopin, the author, presents an often unheard of view of marriage. An analysis of â€Å"The Story of an Hour† faces us with one unanswered question. Why was Ms. Millard overfilled with joy after hearing the passing of her husband’s d eath? The answer is quite simple. She was overcome with joy due to the fact that she was trapped and finally had the opportunityRead MoreThe Story Of An Hour By Kate Chopin1542 Words   |  7 PagesIn the short story, â€Å"Story of an Hour†, Kate Chopin writes about a woman with heart trouble, Mrs. Mallard, who, in finding out about the death of her husband, Mr. Mallard, experiences some initial feelings of sadness which quickly transition into the exhilarating discovery of the idea of a newfound freedom lying in front of her. When it is later revealed that her husband is not actually dead, she realizes she will not get to taste that freedom. The devastation kills her. What Mrs. Mallard goes throughRead MoreKate Chopin s An Hour857 Words   |  4 Pagesunderstanding of how various emotions can effect an individual; this is a consequence of being human. The broad variety of different emotions that Kate Chopin fit into â€Å"The Story of an Hour† presents the story with a perspective that is very intelligible. While some readers may not understand what it is like to live a sheltered life due to marital convention, Chopin laid out the emotional path that the protagonist takes and simplified it into individual, coherent feelings that a woman in the late nineteenth-century

Mythical Solutions to Best and Worst College Essay Topics Discovered

Mythical Solutions to Best and Worst College Essay Topics Discovered Details of Best and Worst College Essay Topics College schools sometimes need supplemental essays. Colleges are more inclined to admit students who can articulate certain explanations for why the school is an excellent fit about them beyond its reputation or ranking on any list. They want to make it easy for students to apply, but they also want to know the student is serious about applying. All colleges provide classes and degrees, and many let you study in another nation. The exact first step in writing a descriptive essay is to select your topic. Writing a college essay can be a difficult endeavor, but nevertheless, it may also be exciting. Writing essays for college is probably going to be a challenging approach. College essay writing tips are generally focused on each of the things you ought to do for an ideal essay. 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The very first thing you ought to do is identify the sort of compare and contrast essay which you're handling. Top Choices of Best and Worst College Essay Topics College admission is genuinely a buyers market after getting beyond the. Some might do the job better as higher school research paper topics, while others are going to make decent research paper topics for college students. Many students think a thesis is only a group of ideas strung together with a couple essential words. Teachers and professors don't wish to find that you comprehend the plot of a story. The prevalence of genealogy and on-line sources are fantastic areas to begin your research. Second, check out whether there is sufficient information available on the internet or in your college library. On the flip side, old topics that have been read and written on by millions, won't ever catch any attention. Our site features custom writing help and editing aid. It's quite important to demonstrate your capacity to be an in depth observer of the Earth, since that will be one of your major jobs as a college student. In reality, some studies demonstrate that the non-college group is truly less religious than the college group. The fact of the matter is that you have to select the major even before you decide on a college or university. The more information you know more about the college, the better the possibility you'll pick one that fulfills your needs. Knowing the focal point makes it possible to fully grasp the significance of the picture. Many debate what a suitable age to have a cellphone is. Some undesirable topics show admissions officers you don't have a very good awareness of judgment or maturity, which is a problem because they are building a category of college students who have in order to deal with independent life on campus. Topics like death and divorce are cautionary as they can be exceedingly challenging to write about. 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Finding Christ in Narnia Essay Example For Students

Finding Christ in Narnia Essay C.S. Lewis Aslan in, The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, exactly mirrors Jesus Christ. Aslans sacrifice for a crime committed by Edmund is an exact mirror of Christs ultimate sacrifice for our sins. When Aslan is killed on the stone table and comes back to life he says, That though the Witch knew the Deep Magic, there is a magic deeper still which she did not know (Lewis, pg185). Christians see this deeper magic as the fact that Aslan, like Christ was there since the beginning of time, whereas the witch was not. The Lion, Witch, and the Wardrobe is the story of four children Peter (14), Susan (12), Edmund (10) and Lucy (8) who are evacuated to the countryside in order to protect them from air raids in London. In the house of Professor Digory Kirke they discover a room that contains only a wardrobe (Vincent). Surprised when the wardrobe door opens, Lucy steps inside the enormous closet to find a snowy wood at the back of it. Intrigued, she explores the wood, knowing that the safe wardrobe is still behind her. Eventually she meets a faun, a creature that is half goat and half man (Hourihan, Ch. 1-2). Then, all the children enter the wardrobe and discover the enchanted Land of Narnia. In this land, the White Witch has cast a spell that has plunged Narnia into a perpetual iciness where it is always winter and never Christmas(Lewis, pg118). But even under her curse, the beauty of Narnia remains evident. At Mr. and Mrs. Beavers house, the four children are told that Aslan is on the move(Lewis, pg1 41). At this point in the story, the children are only aware of the Witch and her evil spell over Narnia. They have never heard of Aslan, but the mere mention of his name provokes a curious and unique response in each child (Vincent):And now a very curious thing happened. None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken his name everyone felt quite different. At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer (Lewis, pg141). It is obvious that Aslan is the god of Narnia. His immortality, awesome power and supreme benevolence is implied tacitly in the Beavers references to him. Couched in these terms, it is easy to see Aslan as a divine power. However, Lewis deliberately avoids using these terms. Lewis simply describes Aslan as a great, good king. The resulting effect is similar to the traditional feeling that a deity is inaccessible, remote and lofty. These are ways a child may feel about praying to a God that he or she is acquainted with solely through church. The story of Jesus is one important way to make God seem more tangible and less distant. However, that story is now 2,000 years old. Lewis presents us with a new god, in the form of a lion, and imbues it with mystical powers, giving us a fresh perspective on faith. At this point there is no compelling reason to believe that Aslan is a Jesus figure. For the moment, Lewis avoids drawing this connection. Instead, he establishes the personality and vi brancy of Aslan before helping us to connect it to the vibrant personality of Jesus (Hourihan, Ch. 8). Aslan? said Mr. Beaver. Why, dont you know? Hes the King. Hes the Lord of the whole wood, but not often here, you understand. Never in my time or my fathers time. But the word has reached us that he has come back. He is in Narnia at this moment. Hell settle the White Queen all right. It is he, not you, that will save Mr. Tumnus. Is is he a man? asked Lucy. Aslan a man! Mr. Beaver said sternly. Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Dont you know who is the King of Beasts? Aslan is a lion the Lion, the great Lion(Lewis, pg146). Lewis hints at the Christian doctrine of the Trinity by describing Aslan as the son of the great Emperor-Beyond-the-Sea(Lewis). The Emperor-Beyond-the-Sea is never directly portrayed in any of the seven Chronicles of Narnia. Lewis thought it wiser to simply refer to the Emperor-Beyond-the-Sea, suggesting numinous majesty and transcendent inaccessibility without trying to show it. Aslan is the incarnate form of Deity not just a spiritual presence but an actual embodiment (Vincent). The side note that explains that the Witch is partially descended from Lilith is significant. Lilith, in Jewish mythology, was Adams first wife. She left him as a rebellion against the subservient position that he demanded her to adopt. The legend says that she was created from dust just as Adam was, and she used to argue why she should be treated as his equal. After she abandoned Adam, God created Eve from Adams own rib, so that Eve would be inherently subservient to Adam. It seems doubtful that Lewis meant to invoke all of the sexual and gender implications of this myth. In the act of drawing on this myth, however, Lewis seeks to unify the two worlds of Earth and Narnia. He wants to ground them in common mythology and to imply that there is an overarching system of religion and reality that transcends the boundaries of the worlds and characters created in his book. Narnia is not completely imagined, but based on ideas found in the real world (Hourihan). One of the reasons that Asla n is such a fascinating character is Lewis amazing ability to hold these two tensions in balance. Of course it cant be repeated enough: Aslan is not a safe playmate. When he roars, stop your ears. When he lets you ride on his back, hold on tight. Like Paul before him, Lewis asks us to, Behold the kindness and severity of God (Romans 11:22) (Vincent). Lewis shifts the storys point of view to Edmund. Edmund left the Beavers house after the children had already devised the plan to meet Aslan at the Stone Table. During Edmunds long walk through the ice and the snow, he works hard to convince himself that the Witch is on the right side and everyone else is wrong. He persuades himself by focusing on Turkish Delight. Edmund also thinks about the modern changes he will make in Narnia after he becomes a prince. When he reaches the White Witchs castle he finds a courtyard filled with stone statues. The first one he sees is a lion, which he believes to be Aslan. He assumes that the Witch has already triumphed over Aslan and turned him to stone. Edmunds long argument with himself about whether the Witch is really good and kind is a sign that he is becoming more treacherous and deceitful. Before, he made his morally wrong decisions half-consciously and did not think through them carefully. Previously Edmund had a nagging doubt that the Witch was not on the right side, but now he actively convinces himself to believe that she is on the right side. Edmund embraces the Witchs evil and cruelty and cannot turn back. Edmund still dreams about the Turkish Delight, but now he also thinks about getting even with Peter, keeping his sisters down, and making laws against beavers and dams and fauns and anyone else he senses to be on opposing side. Edmunds corruption has gone far beyond simple greed and gluttony. Although Turkish Delight started the process, Edmunds corruption continues due to his own free will (Hourihan, Ch. 9). He tells her that he has brought his siblings with him and that Aslan has come to Narnia. She takes Edmund captive and commands her minions to find the children and kill them. Meanwhile, winter begins to end in Narnia as the White Witchs spell loses its power (Vincent). Lewis does not make overwhelm us with symbolism, but he makes some clear connections between Aslan and Christ. In the story, the Aslan character arrives simultaneously with the advent of Christmas, which is the birth of Christ. The figure of Santa Claus is deeply established in legends and stories in our world, providing a strong link between the traditions in the fantasy world of Narnia and our world. Lewis, however, never makes the Narnian world a shadow of our own. Instead, Lewis only includes the figure of Father Christmas to bring an immediate, positive response from children reading this story. Although the figure of Father Christmas is the same between the worlds, they each have different roles. On Earth, Father Christmas is part of a joyous tradition and provides fun diversions like gifts. In Narnia, where there is danger and high stakes, his tone is more serious, and his presents are tools, not toys (Hourihan, Ch. 10). The petrification of the little party of small animals is really the first tragedy that we have witnessed firsthand in the novel. We know that the Witch is evil, cruel, and will gladly murder others, but we have so far only heard about her character indirectly. So, too, has Edmund. He realizes that Aslans side is the good one when the Witch treats him poorly, but his belief is initially superficial. Edmund expresses that he does not enjoy being cold, tied up and miserable. Lewis, however, tells us that when Edmund sees the feasting animals turned to stone, for the first time in this story he felt sorry for someone besides himself(Lewis, pg163). Edmund is affected very deeply, and he shifts from self- interest to empathy and pity. Edmund can be misled but he is not fundamentally evil. Edmunds actions up until now have been spiteful and self-serving, but his core of essential goodness has not died, as it perhaps never does in a human being (Hourihan, Ch. 11). Creation And Evolution EssayWhat the White Witch did not know is that there are two kinds of magic in Narnia: the Deep Magic, and the Deeper Magic. Both have their source in the Emperor-Beyond-the-Sea. Beyond this, there are a number of crucial differences. The Deep Magic exists from creation and is known to all creatures. The Deeper Magic has its source in eternity past and is unique knowledge known only by the Emperor-Beyond-the-Sea and Aslan two eternal beings. The Deep Magic represents Gods moral law and its obligations, requirements, and penalties. The Deeper Magic represents Gods redemptive plan that was the subject of the divine counsel of God from eternity past (Vincent). Aslans resurrection clearly parallels the resurrection of Christ. Moreover, the Stone Table on which he is sacrificed evokes the stone tablets that Moses brought down from Mount Sinaiand Lewis acknowledged that he had Mosess tablets in mind when he described the Stone Table. The strange symbols and runes c arved into this unimaginably ancient artifact seem to be relics of an old Narnian religion, the religion the Witch invokes when she calls upon the Deep Magic. Indeed, the Witch says that the Deep magic is carved into the Stone Table itself. When the Stone Table breaks, the event signifies the end of an era. Narnia undergoes a transition from an old, unforgiving faith to a new, vibrant, and compassionate one. The same thing can be said to have happened when Christ rose from the dead: Gods old covenant with man was replaced with a new covenant. Aslans suffering and death both renews and transforms the Deep Magic that governs the universe of Narnia (Hourihan). Although Lewis clearly intended Aslans story to suggest Christs Passion (the Passion is the suffering, death, and resurrection of Christ), the two stories are not exactly parallel. Lewis repeatedly explained to his readers that he did not simply transplant the Gospel story into a new setting. Instead, he imagined what the life of a redeemer might be like if another world needed redemption. The most important difference between the stories is that Christ died to redeem all humankind, while Aslan dies to save one life. However, even this difference between Aslans and Christs stories reinforces the overall Christian message. In Gods eyes, one human life is as significant as all human lives. The story of Aslan thus stands on its own to a certain extent, both reflecting and restating Christian themes (Hourihan). There are other differences between the two stories. Aslan rises the morning after he is killed, whereas Christ lay in the tomb for three days, a highly symbolic number in Christianity. Aslan immediately whirls into action the moment after he rises, speaks to Susan and Lucy, and then storms the Witchs castle. Christ did not reveal himself to his disciples for a long time. In Narnia, once Aslan rises from the dead, the world returns to normal. The Christian legend explains that human beings must wait to go to heaven to experience such perfection. Jesus resurrection was not immediately followed by a new social order and the abolishment of evil. Although Lewis refers to the Christian story, he adapts it to fit the fantasy world of Narnia. Thus, Lewis creates a unique variation on an ancient tale and preserves the individuality of the magic kingdom of Narnia (Hourihan). Because of the Deeper Magic agreed upon by the Father and Son, God created with full awareness of the personal cost to himself. God created knowing that, ultimately, the Son would suffer the full penalty of human sin. That is why the sacred Scriptures speak of the Lamb that was slain from the creation of the world (Revelation 13:8). This truth is alluded to in The Magicians Nephew, the prequel to The Lion, the Witch, and the Wardrobe. In the book, Aslan tells the beasts that, before the new, clean world I gave you is seven hours old, a force of evil has already entered it; waked and brought hither by this son of Adam Evil will come of that evil, but it is still a long way off, and I will see to it that the worst falls upon myself(Lewis, pg80) (Vincent). The battle shows the triumph of good over evil, Christ over Satan, and death over life. We do not need to read too deeply to understand this scene. After all, Lewis is writing first and foremost about Narnia. The Christian allegory is secondary to the main story. The victory of Peters forces and the murder of the Witch are not important because they stand for the victory of Christianity and the defeat of Satan. More simply, they are important as a victory of good over bad. Lewis suggests that any battle where good triumphs over evil can be symbolic of Christs victory over Satan. Although the action of the novel continues through the battle scene, Chapters 16 and 17 comprise the denouement of The Lion, the Witch, and the Wardrobe. The climax of the book really comes when Aslan rises from the dead. The most noteworthy thing that occurs after the climax is Edmunds sudden transformation. Edmund had moved to the side of good after deserting the witch, but it was an uneasy departure. Even Edmunds talk with Aslan, though it had firmly convinced him of the need to stay on Aslans side, hadnt been able to remove his lingering sense of guilt and doubt. Now, however, Edmund has fought his own battle and redeemed himself with his own hand. Ultimately, this is as important as Aslans self-sacrifice to save Edmund. A person cannot be simply carried through life into enlightenment and salvation, but must strive to achieve these goals through his or her own efforts. Human effort is as important as divine intercession. Edmund realizes that he must prove his worthiness and risks his own life to smash the Witchs wand. When Aslan knights Edmund, it is a sign that Edmund has atoned for his sins and can now look upon the world without fear or shame (Hourihan). Some have criticized Lewis story by arguing that Aslans work of salvation involves the deception of the White Witch. To this, three things must be said. First, Lewis is writing a fantasy that reflects Christ but is not intended to be a theological treatise. Second, though elements of substitutionary atonement are present, the larger theme is deliverance from the powers of evil. Aslan provides a ransom for Edmund. Thus, the ancient ransom theory of atonement, which for some church fathers, involves tricking the devil, is reflected in the story. Scot McKnight writes, To be fair, most today who adhere to the ransom theory no longer see Gods tricking of Satan as part of the mix. Instead, they speak of Gods powers being unleashed to liberate humans from sin and suffering and systemic evil. But, one will admit that the story of the early fathers was full of drama. Release from someones grip is an ageless story. Third, there certainly is a sense in which the evil powers had no way to concei ve of what God was up to in Christ. Gods wisdom is simply too much for even the most powerful spiritual beings. Paul writes about this in 1 Corinthians 2:7-8:But we speak Gods wisdom in a mystery, the hidden wisdom, which God predestined before the ages to our glory; the wisdom which none of the rulers of this age has understood; for if they had understood it, they would not have crucified the Lord of glory. In the end, the one thing that certainly comes through is that Aslan gives himself over to the powers of evil for the sake of the sinner, Edmund. There is no other reason for him to do this than divine love. In this way, we are reminded of what God has done for us all in Christ: For while we were still sinners, at the right time Christ died for the ungodly. For one will hardly die for a righteous man; though perhaps for the good man someone would dare even to die. But God demonstrates his own love toward us, in that while we were yet sinners, Christ died for us (Romans 5:6-8) (Vincent). So Aslan paid the ultimate price for Edmund, just as the White Witch said, You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to kill. And so that human creature is mine. His life is forfeit to me. His blood is my property (Lewis, pg175-180). Aslan instead gave his pure and innocent blood for Edmunds treachery, in this same way Christ came to die for the sins of all mankind. Works CitedBrennan, Matt. The Lion, the Witch and the Allegory: An Analysis of Selected Narnia Chronicles. Into the Wardrobe: a C. S. Lewis Web Site. 19 Apr. 2006 ;http://cslewis.drzeus.net/papers/lionwitchallegory.html;. Hourihan, Kelly. SparkNotes: The Lion, the Witch, and the Wardrobe. SparkNotes. 17 Apr. 2006 ;http://www.sparknotes.com/lit/lion/;. Lewis, C.S. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. New York: HarperCollins, 2001. Vincent, Rich. TheoCenTriC: The Deeper Magic. TheoCenTriC. 17 Apr. 2006 ;http://www.theocentric.com/theoarchives/000359.html;.

Old and Middle English Literature Essay Example

Old and Middle English Literature Paper The Norman conquest of England began In 1066 and with It began a legacy that would transform he English literature entirely and make way for a new culture known as Norman England. The links created with France established sources for dispersing of Ideas and the merging of others. A new acquired taste In art was evident as well as the popular way to tell poetry through a song and dance. Old English Literature rooted from a heroic culture which established a sense of hierarchical system among the people. A heroic culture was different from a Christian culture in the way social organization was established. The King or Lord was supposed to be a courageous and exemplary man while cowardice was abhorred. In a heroic culture women held no status and strongly believed in revenge as if it was a moral obligation. Another belief of during the literary time was that there was no after-life except in song celebrating valor and deeds. The collection of Old English Literature was preserved due to King Alfred. The literature during the time was primarily oral since few people were literate. Texts were copied by hand by monks for monks since it was extremely expensive. The form of an Old English Prosody consisted of a single poetic unit divided in half by a Caesura each half containing two stresses. A main poetic rule was the sole use of alliteration instead of the traditional rhyme. Another popular source for secular Old English Literature was the inability to distinguish between factual history and legend. We will write a custom essay sample on Old and Middle English Literature specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Old and Middle English Literature specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Old and Middle English Literature specifically for you FOR ONLY $16.38 $13.9/page Hire Writer These characteristics are transcribed well in Beowulf by an anonymous Anglo-Saxon poet. Beowulf, the protagonist, is a brave Seat who heroically battles a monster who has been terrorizing the residents Greened, Grenades mother, and a dragon. The heavily alliterated poem continues today to be one of the most prominent for recognizing the Old English Literature time and structure. After the Norman Invasion the Old English developed Into the new Middle English culture and language. The Impact of the church dominated highly on every aspect Including culture and literature until the government became centralized and the King became head. Poetry now consisted of new terms and Ideas such as Romance, Courtly love, carol, allusion and allegory. Three groups of poetry were born from the Impact of the Invasion which were religious, secular, and translations of Latin poems. Moral poems and devotional poems were structured on Christian beliefs such as he Crucifixion and the grief of the Virgin Mother. Poems Like Ye That Passe by the Wee, and A cry to Mary ask for people to become better Christians and to contemplate ratter than advocate Tort conversion. During ten tale another popular form was the secular poem which was intended to be sung rather than told such as The Cuckoo Song in which six voices celebrate the coming of spring. Courtly love was also dominant in Middle English Literature as it was in Alison by Francesco Patriarch. In the poem the speaker complains of the great pain the love he has for Alison causes him. Male-female romance is exaggerated and written about in most of the poetry from the Middle English period as well. The Anglo-Saxon period did bring a lot of poems during the 1 lath and 15th centuries which can avidly be distinguished as the Norman Invasion took place. When the Norman came, they brought with them a whole new culture and language which can be seen in the poetry that is left behind. The replacement of conventional rules and Old English literature with the Middle English was not a complete loss for tradition but also aided literature in becoming better and innovated.